Membership
Publications
Standard Membership
Concessionary Membership
For those aged under 25, in receipt of a state pension, unwaged, teachers, or an active member of a CA branch
Omnibus 90
Content: What did Herodotus think he was doing? – Robin Osborne Fiction in Aristophanes and Lucian – Jenni Glaser Forms transformed into new bodies: Ovid and the many forms of epic – Henry Tang...
Omnibus 89
Contents: Meat is murder? Food and drink in the Odyssey – John Weeds Cicero and the ‘EnCyropedia’: mathematical optics and Roman builders – Thomas Kelly The greatest king Assyria never had – Robert Rohland Why retell...
Omnibus 88
Contents: Authoritarian elections in imperial Rome – Timothy Smith Diogeiton’s daughter and the silence of Athenian women – Giulia Maltagliati Erotophobia and gender ambiguity in Euripides’ Hippolytus – Sarah Cullinan Herring Helen, the gods,...
Omnibus 87
Contents: Being Roman: live in the Roman Empire – Mary Beard Identity politics, Greek-style – Emily Clifford A suspicious reading of Aeneas – Dan Jolowicz Strabo’s colossal Geography: writing the world of Rome –...
Omnibus 86
Contents: Cruel fate and the beginning of the end in Iliad 16 – Hugo Shakeshaft Acting up and owning up in the Roman world – Justine Potts Ancient slavery and the modern museum –...
Omnibus 85
Contents: ‘No second Troy’: Virgil’s Aeneid and the fall of cities – Bruce Gibson Why are there frogs in Frogs? – Matthew Hosty The emperor in the provinces – what coins can tell us...
Omnibus 84
Contents: Colonial encounters: reading the Homeric Cyclops with Derek Walcott – Matthew Ward Family matters: dynastic struggles in Tacitus Annals 4 – Panayiotis Christoforou Play it forward: Greece and Rome in digital games –...
Omnibus 83
Contents: What was it like to consult the oracle at Dodona? – Hugh Bowden, Esther Eidinow, and Richard Cole Aeneas – the empty protagonist – David Butterfield Kissing the doorposts: Virgil’s Aeneid and the...
Presidential Address 2021
Mos Maiorum by M. Williams
Omnibus 82
Contents: #MeToo Medusa – Helen Morales Archaeology, Roman Britain, and the Brigantes – Martin Millett Achilles’ heel: (im)mortality in the Iliad – Thomas Nelson Mary Beard on the imperial image Ancient automata between myth...
Omnibus 81
Contents: The worst journey in the world – Tim Rood Sam Hood Translation Prize 2020 – Dylan Brookes Octavian’s gifts – Richard Alston The Odyssey and its predecessors – Henry Spelman Performing the epic...
Presidential Address 2019
Caesar’s wife must be above suspicion? by M. Beard
Omnibus 80
Contents: Imagining Virgil: bibliography, fiction and the Aeneid – Talitha Kearey Odysseus’ western wanderings – Jessica Lightfoot Saving the Roman Empire in Late Antiquity – John Weisweiler Cinadon’s conspiracy and Sparta’s police state – William...
Omnibus 79
Contents: Ancient views on Homer and humour – Oliver Thomas Sam Hood Translation Prize 2019 Dark Comedy in Frogs – Natalia Tsoumpra Making leaders great again? Xenophon on leadership – Fiona Hobden Cicero, Demosthenes,...
Omnibus 78
Contents: Death in bloom: Pallas and Camilla in Virgil’s Aeneid 11 – Siobhan Chomse Antinous: a boy made god in the Roman Empire – R. R. R. Smith Euripides’ Medea and sympathy’s dangerous power...
Omnibus 77
Contents: All the world’s a… Mapping the Shield of Aeneas – Maya Feile Tomes The moral landscape of Herodotus’ Histories – Katherine Clarke Celebrating the ‘good life’ in Aristophanes’ Peace – Naomi Scott Sappho,...
Omnibus 76
Contents: Viewing Achilles’ shield – Richard Rutherford Classical Athens counts – Serafina Cuomo The meanings of mutiny: Tacitus Annals 1 – Christopher Whitton Homer and the Near East – Christopher Metcalf A day in...
Omnibus 75
Contents: Sophocles’ Oedipus the King: a tragedy of compassion – Patrick Finglass ‘Da ya think it’s sexy?’ Horace Odes 2.5 – John Henderson Women in their own words in pre-Roman Italy – Katherine McDonald...
Omnibus 74
Contents: Homer: the first jazz musician? – Howard Peacock Codebreakers and Groundbreakers: from the breaking of the Enigma Codes to the decipherment of Linear B Telling stories on Etruscan pots – Tom Rasmussen Sappho...
Omnibus 73
Contents: Continuity and conflict: classical and contemporary warfare – Jason Crowley Ovid and abortion – Ian Fielding Matthew Nicholls’s Ancient Rome MOOC Classical Greek art – a matter of content as well as style? ...
Omnibus 72
Shakespeare and the Classics – Judith Mossman Greek sanctuaries and Russian dolls: walls and religious experience – Michael Scott Liking it long: Catullus’ Carmina maiora – Ingo Gildenhard The ‘textile scene’ in Aeschylus’...